I think the reason why I get "downtown" stuck in my head more than any other song is actually all the reasons mentioned in this podcast. I go downtown usually because it makes break out of the dull corner of town I live in and the bright lights, active people, yadda yadda all contribute. On other occasions I find myself downtown depressed and alone and the song pops into my head as a blues tune, still comforting. The universality of it's surface meaning AND it's latent, even ironic meaning is what get's it stuck in minds across the globe... just like country music. Well done. I'm going downtown.

Could you guys tell me what version of "When Johnny Comes Marching Home Again" during the Leo Rangell segment.

Hi, I remember having dreams, that I half-conciously was constructing, that were ... hollywood movies! Or tv series. Episodes, that would have cost millions of dollars to produce, just stuck in my head. Most of them were original, they rarely repeated.

I never had a decent ending tho. The story would just go on and on. I could even get up, have a drink or something, and then just go back to where I stopped it.
And the pieces were fairly good. I think that my brain have somehow managed to capture the essence of a hollywood movie, and turn it into a dream.

I remember having songs in my head vividly from at least the 9th grade. However, I never considered them "auditory hallucinations", it was just the soundtrack of my life. Songs are usually triggered by an event or word. For example, washing my hands at my father's house with the coconut lime soap, I will immediately get the "Lime in the Coconut" song in my head. I was really depressed last year and they were gone but I did not notice until I began to feel better and my songs returned. So I see the songs as healthy, unlike the people in the first story.

I had a hard time wrapping my head around the start of this episode because I just can't relate to the concept of not hearing all the parts of a song when it's in your head. The idea that people are just hearing the melody or some semblance of the song is totally foreign to me, as when I'm thinking of a song I am basically hearing it like an mp3 but with a sort of mental "distance" on it. Like it's playing in the back of my head. The memory of a song, for me, is like a replay. I know I'm not alone in this, but it was weird to find that nobody I know personally experiences songs this way, when I had assumed we all do. I wonder what the percentage is.

I hear music all the time. Doesn't matter what I'm doing or anything, there's always a song playing. The earliest I remember was in high school. It's okay, though -- I've played piano since I can remember.

Loved the part about the "crying" steel guitar and the Afghan Johnny Cash.

Yeah, and I've heard about "Amazing Grace" and "Gilligan's Island," too!!!!!

I hear music all the time. Doesn't matter what I'm doing or anything, there's always a song playing. The earliest I remember was in high school. It's okay, though -- I've played piano since I can remember.

Loved the part about the "crying" steel guitar and the Afghan Johnny Cash.

Yeah, and I've heard about "Amazing Grace" and "Gilligan's Island," too!!!!!

@mikeg

Great song,
but not the one I was searching for :)

...but thanks!

Does anybody else know the title of that guitar song, when it is about the "crying steel" (40:30)?

What is that beautiful piece of guitar from 42:20 to 43:15? It sort of sounds like a sitar Either way the reverberation is hypnotic.

@Zed from Estonia - I was taken by that piece of music too - it seems to be "Brethren of the free spirit". See: http://www.youtube.com/watch?v=4qYtJwSqB3c&NR=1

What? How could you have a show about the insistent pop music meme w/o including Pop Muzik by M? Now it is stuck in my head!

Check it out the video Dopamina of singer Belinda!http://www.youtube.com/watch?v=aBzNve5icUc

Can somebody PLEASE tell me the title of that guitar song, when it is about the "crying steel" (40:30)? The song is simply magical.

That was some great podcast by the way.

Does anyone find it odd that you can have a song stuck in your head when you go to sleep and yet it's often right there again when you wake up, even after a full night of adventurous dreams that should have made us long forget any silly song. There really does seem to be some significant separation between the conscious and the unconscious.

Thank you so much for this pod cast - I always thought I was wierd for being a "jingle-person". It's not so bad for me, but I have songs popping up, like jingles to my life, emotions set it of and I've never really understood what was happening till now.. :)

oh great. . . . you played ella on your show and now it's stuck in my head!!!! Ahhhg!!!!

I have not read all of the other comments, but I have THE way to eradicate the worm. You must sing the song "Amazing Grace" to the upbeat theme tune of "Gilligan's Isle."

Good luck and clear minds.

I've been loving all of these podcasts more than I ever thought one could love a podcast. Seriously. I'm sorry I came so late to the show, but hey, I've got 5 seasons to catch up on... a lot to look forward to!

Anyway, I cut movie previews for a living, and I end up listening to the same music over and over and over for weeks and sometimes months on end. Sometimes it's a song, sometimes it's a film score we're using, and sometimes it's library music written for movie advertising. I go home from a day of work and the music reverberates in my head. I've been dealing with this for 20+ years, so I've gotten used to it. The way I deal with it is to just let it run its course. I don't fight it, embrace, or anything. I just truly ignore it, but without vengeance. It's there, and there's little I can do. :D

I use a technique that is a combination of the "stretch out one note" and "just embrace the song" techniques -- I rearrange the song in my head: a disco version, a Reggae version, a Broadway Hit Song version, a ridiculously cheesy Vegas version, and so forth. This thoroughly kills the original song and exercises mental musical muscles.

On the topic of singing pop tunes on pitch, studies that have looked into this, one of the first being by Daniel Levitin:

Levitin, D. J. (1994). Absolute memory for musical pitch: Evidence from the production of learned melodies. Perception & Psychophysics. 56, 414-423.

Anyone interested can download the pdf from his website (under Research Publications). And for more recent related docs, check out the "cited by" listing in scholar.google.com .
The abstract proclaims:

Evidence for the absolute nature of long-term auditory memory is provided by analyzing the production of familiar melodies. Additionally, a two-component theory of absolute pitch is presented, in which this rare ability is conceived as consisting of a more common ability, pitch memory, and a separate, less common ability, pitch labeling. Forty-six subjects sang two different popular songs, and their productions were compared with the actual pitches used in recordings of those songs. Forty percent of the subjects sang the correct pitch on at least one trial; 12% of the subjects hit the correct pitch on both trials, and 44% came within two semitones of the correct pitch on both trials. The results show a convergence with previous studies on the stability of auditory imagery and latent absolute pitch ability; the results further suggest that individuals might possess representations of pitch that are more stable and accurate than previously recognized.

Sorry for the long post, but I research this stuff and was happy to hear the issue come up on the show.

Oh my gosh... my earworm neutralizer is ALSO "Sex Machine"! Quelle coincidence!

My friend told me his friend used Xanadu, and it actually works for me too! I just start singing when I have my own earworms to remove. I don't know why, it' s cheezy and crappy and it won't get stuck either. weird!!

I loved this episode. Thanks Jad, and the RadioLab team!

Friends of mine have suggested "Build Me Up Buttercup" by the Foundations to be a superb earworm killer, or at least a fine song to sing instead of whatever is stuck in there (today it was "Hopelessly Devoted from Grease... And I HATE Grease)

--
Francis

1) I'm sorry I missed calling into the voicemail. I also use the replacement method, and my reliable standby is Franz Liszt's Hungarian Rhapsody No. 2. (http://icanhaz.com/rhapsody) It was used in the dueling pianos scene with Daffy and Donald Duck in "Who Framed Roger Rabbit". Works every time.

2) Do you guys not realize that you are responsible for distributing one of the worst earworms of all time? You "sometimes behave so strangely."

P.S. It was so great to hear part of the "Akira" soundtrack on something other than my iPod!

I've successfully used the technique of long division to work a song out of my head. I randomly write a sufficiently large number, like 769283785729045920 and then divide 7 into it by hand. Once I'm several digits deep, then the song seems to be gone. Plus, it justifies learning long division.

btw: 109897683675577988 and change

One "earworms" aspect not mentioned so far is the "stickability" of ad jingles. (Occasionally, I'm still haunted by the old Winston jingle and others!) And at Cannes this week, a radio ad campaign from Malaysia won an award using the "tunes stuck in your head" as a clever premise. You can hear it at http://www.canneslions.com/winners/radio/win_4_1_00290.htm

I loved hearing about other people's stories about the songs and how they got stuck. As little in-betweens for the big programmes, these shorts are great... And considering the length of time between me being getting a call about it and the podcast being published, i'd (baselessly) suspect this is just bonus material from the main show about earworms, rather than something being flogged as a full installment.

Actually, most people, including people that do not have perfect pitch, will sing a song in the key that they heard it in originally. For a popular song with a singular source, like "Don't
Stop Believing", this is likely the same key for almost all of us. For a folk song with many sources, like a Christmas carol, we're more likely to sing it in varying keys. It was neat how well your broadcast showed this. (And, of course, there's the uncommon person that simply can't carry a tune at all and is unable to do this.)

This ability is somewhat novel to us English speakers, to the extent we don't even realize we have it. If you speak a more tonal language, however, this is a very important skill. Information is not contained in just relative pitch differences; it is contained in absolute pitches as well. (Albeit these absolute pitches change by location, often, like accents.)

So, while I suppose it's a self-selecting sample you got on earworms, it's more than only that which resulted in everyone singing in key.

(I'm sorry, but I haven't been able to find any sources about this. If I can find some, I'll send them your way.)

For me, the most Earwormy song by Journey is that one that goes "Anyway you want it, that's the way you need it; Anyways you wa-hant-hant it..."

I would have left a message, but can't carry a tune, thus the correlation between people with songs stuck in their head that can't carry a tune that won't try singing on an answering machine.

Jad, I think I speak for many of us when I say that we'll bare with you any time you like.

The wait between episodes is torturous. Gimme gimme gimme. I need some more.

I just think its cool that Jad responded. I was going to leave a poopy comment about the short podcasts that have been coming out lately. Then I saw that Jad replied on here and for some reason my agitation went away. he probably could have said "what ev's you take the 8 mins and you like it, you like it and you say thank you!" still would have had the same effect. I guess i forget that the voices leaking into my eardrums late night at work actually belong to a real person... and that person reads the show comments. (this is where the little jingle from the "The more you know" PSA's gets played) "duh duh dah daaahhhhh"

Julie, you're absolutely right. Sorry for the mis-speak! And R Rosson, you're right too. The Twain story is spot on. We thought about including mention of it (in fact, I have a psychologist on tape singing the song), but we chose not to and now I can't remember why.

And lastly...eqd, yes, we're in between seasons but are working very hard on Season 5. Please bear with us!

These 8 minuters are the best we can do at the moment.

In this earworms episode, Jad mentions that many callers sang their earworm songs with perfect pitch, and so there must be a link between earworms and perfect pitch. Well, there's a flaw in that logic... The more likely link is between people who know they sing pretty well and also have a song stuck in their head.

I totally agree with both the comment about Journey being the stickiest AND about the evils of passing along an earworm....

...now Journey is completely stuck in my own head, dramatic symbols and all!

In your Earworm podcast you mention a solution which consists of teaching the song to someone else. There is a wonderful Mark Twain story "Punch, Brothers, Punch" about a poem which the narrator can't get out of his head. The eventual solution is to teach it to a class of students. "The result is to sad to tell" You can read this story at http://www.readbookonline.net/readOnLine/559/

Meb - agh! Really? If so, i totally apologize for my grumpiness (and if not, i maintain my vigorous grumpiness).

Is there a real schedule posted somewhere?
The only thing i can find is the verbiage "ABOUT RADIOLAB. Radio Lab comes out in seasons of 5 shows..." which really doesn't seem to be true since their are more than 20 real-length episodes. (Like "The Ring and I" is not listed in any of the seasons in the main page's "Season Archive" tab-view)

I thought this was one of the best RadioLabs we've ever had. The great mixing and interesting listener audio commentary made for a unique experience.

eqd - I believe we're currently between seasons. What's posted these days is bonus, not actual shows.

How did we get to the point where a 'show' is eight and a half minutes including advertisements?

How did we go from
. philosophical ruminations and historical retrospectives on existence facets common to us as a species
to
. "How 'bout all-y'all-listeners give us the material for the show and i'll spend my lunch break editing it together for a podcast"
?

:-/

What is the name of the Don Williams song that is played during the piece on country music (something in the words about "closing time")?

can you please tell me more about pop music.

Great show, as usual!

I did have one. . . complaint?--more philosophical disagreement, maybe, with Jad's comment that the brain scans of folks hallucinating music means that their hallucinations are more serious than normal song-in-the-head and also means they're not faking it. There are two problems with this:

1. The study, as described, does not demonstrate that someone looking at brain scans can reliably tell the difference between "hallucinated" music and "song-in-the-head" music. There may be other studies that demonstrate that difference, but those weren't presented. All *this* study demonstrates is that one cannot reliably distinguish between "hallucinated" and "listening-to" music on the basis of a brain scan in this study.

2. Do we really want to suggest that if hallucinations fail to produce *exactly* the same brain activation patterns as real stimuli that this means hallucinations are (a) not real or (b) being made up?

Take studies of schizophrenia in which hallucinated voices are found to show similar activations to real voices. Say the studies *hadn't* turned out that way. Or, say, future studies find that there are subtle differences between hearing something and hallucinating it (which I would bet good money on). Would that mean people who are hallucinating are just making things up?

I really enjoy the use of neuroscience on this show, but I thought I detected a little bit of "if it's in a brainscan, it's even more real!" sort of tone there (cf. a previous blog entry on this site regarding people's tendency to more easily believe a theory if brain scans are attached).

Anyway, I hope it's nice to know that the show is thought-provoking to this degree. :)

Philip, the title of that Elvis song is "No More."

fyi, for the curious on youtube someone has posted a mashup of Zahir (singing in English) and Elvis Presley.
http://www.youtube.com/watch?v=t19t3jkbzOY

Here you go Ron:

http://www.wnyc.org/shows/radiolab/episodes/2008/03/21

This is far and away the most moving piece of radio I have ever heard. I was moved to tears, amazing work! I guess I picked a good first episode. Thank you for your time and effort, again, a beautiful piece of work as well as being fascinating.

As usual, another great show.

Where's the promised video of Greg Warner doing J0hnny C@sh in Afghanistan?

(Original performer's name intentionally obfuscated)

Just listened to the pop music episode yesterday (sigh...that means the last new one for a long time) and what did I have stuck in my head all last night? Why, "Downtown" of course! Thanks a lot, Radiolab. No, really. Thanks a lot. *wink

we'll be looking forward to more radiolabs soon! Thanks for a fabulous show.

Ha! one of our panel told me about this podcast, it's great - and by a really strange coincidence, I'm the guy who remixed the Toms Diner track you were humming. Spooky!

I am currently listening to this podcast and I am struck with regards to the similarities in my life.
I've been playing music since I was four years old, and as far back as I can remember I've had auditory hallucinations. But not of songs, not completely. I did hallucinate pop songs and the like, but most of my hallucinations were improvised. Random music would come to me and effortlessly I would sit back and hear a piece of music being created in my mind.
As I would lay down to go to sleep, the fleeting thoughts of music would intensify and some nights I would fall asleep with a new symphony, created by my subconscious, to entertain me for some reason.
I found it topical, thought I'd share. Keep up the amazing work WNYC!

-Devon Geyer

I think this is the first episode that made me cry. What a wonderful first podcast.

This show has some of the most fresh innovative use of sound-editing techniques I've ever heard! I predict it will start new trends for attracting younger listeners and eventually set the pace for radio shows of later generations.

I have a question though. I was looking on iTunes for the Elvis song synced up with Ahmad Zahir. Does anyone know the title to that song?

One comment on the interview with Bob Dorough; after playing the clips from Schoolhouse Rock! Robert suggested that all the songs played were written by Bob, but I'm Just A Bill was actually written by Dave Frishberg. Credit where credit is due!

Love the show, so glad this episode is up. You make my work day tolerable.

Is it just me or did this podcast cut out short for anyone else? The one I was streaming was 12:54 in length... What a shame, this is a fantastic episode!!

Charlie Parker would plug nickels into a jukebox and listen to Hank Williams songs. When asked why, he replied "Have you ever listened to the words?"

'bout sums it up for me. I dig country and bluegrass as much as jazz. It's all about the story.

Your topics are always fascinating and relevant, but this one was even more personal for me. For several years, when I was doing mindless tasks or completely absorbed in what I was doing, I would unconsciously begin humming "Camptown Races." Never could figure out why. :) Thanks, Radiolab, for another great program.

Yay! It's finally up! So what guest was offended about what again? LOL