A preview of Radiolab's live show Apocalyptical: dinosaurs, death, destruction... plus cinematic live scoring and comedic mayhem from Reggie Watts and Kurt Braunohler. Feast your eyes on more video -- including a cut of the full show! -- at radiolab.org/live.
For many of us, quicksand was once a real fear -- it held a vise-grip on our imaginations, from childish sandbox games to grown-up anxieties about venturing into unknown lands. But these days, quicksand can't even scare an 8-year-old. In this short, we try to find out why.
You may not give a second thought (or backward glance) to what the toilet whisks away after you do your business. But we got wondering -- where would we wind up if we thought of flushing as the start, and not the end, of a journey? In this short, we head out to trace the trail of sludge...from Manhattan, to wherever poop leads us.
This fall, we're hitting the road with our brand-new live show. We're stopping in 20 cities across the US (plus 1 stop in Canada), and we have some exciting news about the special musical guests who are joining us for the tour. Listen to a quick sneak peek, and grab your tix now.
This is the story of a three-year-old girl and the highest court in the land. The Supreme Court case Adoptive Couple v. Baby Girl is a legal battle that has entangled a biological father, a heart-broken couple, and the tragic history of Native American children taken from their families.
Every 17 years, a deafening sex orchestra hits the East Coast -- billions and billions of cicadas crawl out of the ground, sing their hearts out, then mate and die. In this short, Jad and Robert talk to a man who gets inside that noise to dissect its meaning and musical components.
Improv comedy puts uncertainty on center stage -- performers usually start by asking the audience for a prompt, then they make up the details as they go. But two actors in Chicago are taking this idea to its absolute limit, and finding ways to navigate the unknown.
There are few musical moments more well-worn than the first four notes of Beethoven's Fifth Symphony. But in this short, we find out that Beethoven might have made a last-ditch effort to keep his music from ever feeling familiar, to keep pushing his listeners to a kind of psychological limit.
We turn to doctors to save our lives -- to heal us, repair us, and keep us healthy. But when it comes to the critical question of what to do when death is at hand, there seems to be a gap between what we want doctors to do for us, and what doctors want done for themselves.